Admirer of National Geographic magazine and nostalgic for legendary designers like Charles Eames, Frank Lloyd Wright, Le Corbousier, and Van de Rohe, Trosman takes distance from the classic methodology of a fashion designed. She walks through the silhouette taking scientific decisions and developing each piece like an architectural process where parts are apparently not sewn but become ensemble. While doing so she reveals shapes that flow along the body as if they were predestined.

Jessica Trosman is increasingly becoming a well-known new face in the fashion world while she still remains based in Buenos Aires, the city which supplies her with endless inspiration. Since her first collection in 2002, Trosman enjoys a consistent growth that have placed the label in many prestigious stores from Europe, Asia, U.S., and Middle East. Furthermore she has been recognized by two of the most renown book publishers, when being included in their latest compendiums of fashion design (Fashion Now 2, 2005 Taschen; Sample, 2005, Phaidon). Meanwhile the brand has struck a deal with the group Onward Kashiyama for manufacture and distribution in Japanese territory.

Jessica works between spontaneousness and exactness like if she knew the creative secrets of nature, her garment glow like mysterious objects that have been conceived effortlessly but precisely. She follows her own path which explores a large and eclectic list of sources that goes from art-deco furniture, to insect anatomy, astronaut suits and roller coaster structures.

Her factory and studio settled next to a football stadium resembles a power plant, a school laboratory and a car repair service. It is continuously filled with unexpected surprises: feather, plants, photographs, and amazing textile developments.

Each season there is a new chapter. The collections are never thematic they are always a natural result of the work. The aesthetic is a consequence of how the experiences, the decisions and the fabrics end up behaving.